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Quarter Tone Technique for Saxophone

Quarter Tone Technique For Saxophone


Quarter Tone Technique for Saxophone is a technique book that demonstrates how to produce quarter tone notes in a fluent manner with full sound and proper intonation. This book enables the musician to perform quarter tone compositions by providing the musician with fingerings and short exercises for each note, chord studies, scale studies, ear training exercises, and etudes. The scale and chord studies exposes the musician to the quarter tone harmonic atmospheres while providing consistent, technical exercise drills the musician can use to improve his technique. The ear training enables the musician to hear the quarter tone intervals in his mind without actually playing the saxophone - more specifically, the 1/4 and 3/4 quarter tone intervals. The etude compositions exposes the musician to the compositional and musical possibilities the extended technique provides. During the early 20th century, Western composers such as Alois Haba, Ivan Wyshnegradsky, and Charles Ives began composing quarter tone works for piano, clarinet, and voice. Composers such as Dean Drummond and Easley Blackwood composed microtonal pieces for a variety of unique instruments, including pitched percussion, guitar, and electronic instruments. Since then, many composers have experimented with the new melodic and harmonic possibilities quarter tonality has to offer. There are hundreds of quarter tone pieces which have been composed for piano, voice, strings, brass, and woodwind instruments, including the saxophone. Quarter tone compositions are beginning to appear in the saxophone repertoire. The saxophone is highly capable of playing quarter tone notes, with almost the same fluidity and consistency as the normal notes, throughout nearly the entire 21/2 octave range. The goal of this technique book is to encourage saxophonists to learn this technique and to encourage composers to write for it. Quarter tonality presents new melodic and harmonic possibilities that can bring previously unexplored textures, colors, and atmospheres to music.



  • Condition: --
    HPB condition ratings
    • New: Item is brand new, unused and unmarked, in flawless condition.
    • Fine/Like New (F): No defects, little usage. May show remainder marks. Older books may show minor flaws.
    • Very Good (VG): Shows some signs of wear and is no longer fresh. Attractive. Used textbooks do not come with supplemental materials.
    • Good (G): Average used book with all pages present. Possible loose bindings, highlighting, cocked spine or torn dust jackets. Used textbooks do not come with supplemental materials.
    • Fair (FR): Obviously well-worn, but no text pages missing. May be without endpapers or title page. Markings do not interfere with readability. Used textbooks do not come with supplemental materials.
    • Poor (P): All text is legible but may be soiled and have binding defects. Reading copies and binding copies fall into this category. Used textbooks do not come with supplemental materials.
    Conditions Guide
  • Format: Paperback
  • Sold by: --
  • Language: English
  • Publisher: Createspace Independent Pub
  • ISBN-13: 9781545445426
  • ISBN: 1545445427
  • Publication Year: 2017
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HPB condition ratings
  • New: Item is brand new, unused and unmarked, in flawless condition.
  • Fine/Like New (F): No defects, little usage. May show remainder marks. Older books may show minor flaws.
  • Very Good (VG): Shows some signs of wear and is no longer fresh. Attractive. Used textbooks do not come with supplemental materials.
  • Good (G): Average used book with all pages present. Possible loose bindings, highlighting, cocked spine or torn dust jackets. Used textbooks do not come with supplemental materials.
  • Fair (FR): Obviously well-worn, but no text pages missing. May be without endpapers or title page. Markings do not interfere with readability. Used textbooks do not come with supplemental materials.
  • Poor (P): All text is legible but may be soiled and have binding defects. Reading copies and binding copies fall into this category. Used textbooks do not come with supplemental materials.
Conditions Guide
HPB condition ratings
  • New: Mint condition or still sealed (SS). Absolutely perfect in every way. New.
  • Fine/Like New (EX): No defects, little sign of use, well cared for. Plays perfectly. Close to new. Not necessarily sealed or unused, but close. Could be an unopened promotional or cut item. Sometimes called: mint-minus.
  • Very Good (VG): Will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
  • Good (G): Attractive and well cared for, but no longer fresh. Minor signs of wear, scuffing or scratching, but will play almost perfectly. For vinyl: barely detectable crackles or pops.
  • Fair (FR): This item is in okay condition. For vinyl: good is not so good and the record may have low level crackles or pops when playing. CD: one or more tracks may skip.
  • Poor (P): Obviously well-worn and handled. Most vinyl collectors will not buy good or below, but some tracks on CD or vinyl will play.
Conditions Guide
HPB condition ratings
  • New: This movie is unopened and brand new.
  • Fine/Like New (EX): Near new. No defects, little sign of use. Plays perfectly. Not necessarily sealed or unused, but close. No skipping; no fuzzy or snowy frames in VHS.
  • Very Good (VG): Attractive and well cared for but no longer fresh. Minor signs of wear, but will play almost perfectly. For VHS: barely detectable distortion or very few fuzzy or snowy frames.
  • Good (G): This item is in okay condition and basically works well. There may be some minor distortion on VHS tape; slight scratching or wear on DVD.
  • Fair (FR): Basically plays, but may be obviously well-worn with some scratching or tape distortion.
  • Poor (P): Disc or tape is intact, but may be scratched or stretched. There may be skips or distortion or product defects.
Conditions Guide
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