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Well written fictional retelling of the Bernie Madoff ponzi scheme, both heartbreaking and insightful.
This book really grasped my attention while I was reading. It’s not a book you can mindlessly read. Mandel starts the book almost in reverse and that’s kind of the direction in which the book is told. There’s not one main character, instead, you get the perspective of multiple characters. The Redheads made this comment “the characters wrap around the story”. This comment could not be more than true and sums up the feel for the book perfectly. Overall this book was not an easy read, but it really makes you think about homecomings and coming full circle. Mandel also makes you think about ghosts and guilt as if they intertwine. Can one know and not know at the same time? #BannedBook
I liked it a lot. Kept waiting for some insight into the Madoff-like character, but there isn’t any. I think it’s because he didn’t know himself—too deep for him. It wasn’t what I thought it would be, but it was good. Ultimately, it was very satisfying.
Emily St. John Mandel has such a gift for guiding the reader through worlds! As a big fan of Station Eleven, I loved the acknowledgment of familiar characters. It's like the author is building a supernatural universe for loyal readers. In The Glass Hotel, I had trouble growing attached to any one character. There was a sadness that kept me from holding out hope for anyone. (To be fair, I read the novel in April 2020! Desperately seeking uplift!)
An engrossing story guided by Emily St. John Mandel's flair for nonlinear narratives and clear, elegant prose. This novel is more character-driven than plot-driven, but the lives of the characters intersect in unexpected ways that make for a satisfying story. Quietly beautiful, with characters that will stay with me for a long time.